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Lunik IX.

Artur Čonka | Lunik IX. | Non Fiction | United Kingdom of Great Britain and Northern Ireland | 2012 | fil_00237

Rights held by: Artur Čonka | Licensed by: Artur Čonka | Licensed under: Rights of Use | Provided by: Artur Čonka – Private Archive

Credits

Rights held by: Artur Čonka | Licensed by: Artur Čonka | Licensed under: Rights of Use | Provided by: Artur Čonka – Private Archive

Playlist

Lunik IX.
455 min
fil_00237
Artur Čonka | Lunik IX. | Non Fiction | United Kingdom of Great Britain and Northern Ireland | 2012 | fil_00237
Rights held by: Artur Čonka | Licensed by: Artur Čonka | Licensed under: Rights of Use | Provided by: Artur Čonka – Private Archive

Synopsis

‘I think the film is shot from outside the community, not within. It does show the struggle of life but more as a journalist than a filmmaker.’

Ivana Todorovic

Synopsis

Artur Conka is a young filmmaker and photographer who has been living in Great Britain since he was eight, but he was actually born in an industrial region of Slovakia, near Kosice. The history of the huge Slovakian housing estate and its inhabitants – who are mainly Roma living in extreme poverty and other homeless people – shows symbolically how the socialist regime’s assimilative policies based on compulsory employment and equal rights to work failed after its fall. Closing down local factories but not offering new opportunities for employment or training, combined with not having the financial resources to provide social benefits tragically led to many thousands of uneducated workers becoming paupers, not just in Lunik IX but also in many other industrial regions of Central and Eastern Europe. Conka’s family escaped this fate and found a new home and a safe existence in London.

Having visited his hometown in 2009, Conka was shocked by the changes that turned Lunik IX into a ghetto and decided to return equipped with a camera. In reminiscing about his childhood he managed to get in contact with the locals and shoot a short, low budget documentary. The film strives to present a realistic image, yet its observational approach does not let the viewer overcome the deeply rooted stereotypes. We can undoubtedly label this first-generation intellectual filmmaker’s action as empowerment. And yet returning from Western Europe to a slum district makes it unavoidable that the lens will be turned into a distant gaze, even if the Romani language creates a crucial link between the interviewer and his subjects. Factual narration told by the author and emotional music score create a contrapuntal soundtrack for the stressed, journalistic-style pauper aesthetics of high-quality cinematography.

Reception

Aviram, Alon: ‘Artur Conka Photographs the Roma Poor He Left Behind’, Vice, 31 May 2013, https://www.vice.com/en_us/article/artur-conka-photographs-of-lunik-ix-make-me-sad

Conka, Artur: ‘What Is Life really Like for Roma Families Around Europe?’, Huffington Post, 13 May 2013, http://www.huffingtonpost.co.uk/artur-conka/roma-families-in-europe_b_3253404.html

Official synopsis

Playlist

Lunik IX.
455 min
fil_00237
Artur Čonka | Lunik IX. | Non Fiction | United Kingdom of Great Britain and Northern Ireland | 2012 | fil_00237
Rights held by: Artur Čonka | Licensed by: Artur Čonka | Licensed under: Rights of Use | Provided by: Artur Čonka – Private Archive

Details

Production
2012
Credits
Production Company
Type
audiovisual
Category
Non Fiction
Record Type
single object
Object Number
fil_00237
Manifestations
Object number
fil_00237_m1
Type
Internet
Media items
Object number
fil_00237_m1_i1
Language
Colour
Colour
Running Time
455 min
Dimensions
380 MB
Video
1920 x 1080 / H.264

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